Furthermore, the use of  The Theory of Levels to cinema and music continues, applying these resources in the didactic task, taking as core ideas, the different historical periods of these genres.

At the same time, this new period means the development of new approaches to audiovisual theory referring fundamentally to intrinsic montage and rhythm, which are placed in the series of audiovisual works On the Materialization of Forms. Concurrently, this book was included under the title: On the Materialization of Forms. Individual and Collective Visual and Sound Representations. Synchronization Linkage in Cinematographic and Audiovisual Expression. Significance of Materialization in Evolutionary Processes. Published in July 2020.

Regarding the audiovisuals, they are based on the classic forms of analogy, particularly in the chapter referred to The Association of Forms by Chromatic Link. The varieties of intrinsic montage in the same film frame, new diversities of analytical discourse, and the latest language resources used in the Sixth Period works are applied. In the extrinsic aspect, the author´s new postulates come from the annulment of the “point of extrinsic union by dissolving in free will” are considered. The adoption, in formal objectivity, of the assembly in synchronous consonance of frame on frame in the passage of the cross dissolve, both in the diptychs and triptychs or polyptychs joined in progressive succession.

The audiovisual Memories of the Immigrant Hospital (1990) was also the main subject of a homonymous book edited and published in August of 2020, dealing with the historical aspect and the dissemination of audiovisual theory.

This work, published in September, come with Immigration in Misiones. The creation of Svea. City of Oberá.