
THE MATERIALIZATION OF FORMS
Individual and collective audiovisual representations and connections. Synchrony linking in cinematographic and audiovisual expression. Materialization significance during processes.
Jorge Luis Farjat
This work is focused on philosophical, art and aesthetics principles, joins its main text with a profuse selection of artistic creations of various genres, including at the same time, scenes from films, identifying with an educational criterion how it works the materialization of these forms through their different audiovisual representation, both individual and collective, and their respective connections. A separate place has been made for the special treatment of the synchronous way of linking visual and sound forms in film and audiovisual, always with exemplifications.
The materialization of all these forms in an evolutionary process is also discussed, and a separate chapter devotes special attention to the materialization through memory, considerations and ideas, and their evocation to the literary transcription.
In addition, it has been made deliberations about the spontaneous appearance of materializations of natural and cosmic forms, studying also music as a stimulus for the development of forms in audiovisual creation.
The Appendix of this work is dedicated to the materialization of forms applied to aesthetic development in cinema and audiovisuals, with the respective iconographic selections.
Música: Gustav Holst (1874-1934)