ABOUT THE AUDIOVISUAL WORK
by Jorge Luis Farjat
The author has been devoted to the audiovisual creation and its theoretical development (See Audiovisual Theory), recognizing this mean as the unified language of shown photographs (static images) and sound, as a whole articulated by a montage and exhibited in the same conditions as in the cinema, that is to say, in a room that serves as a dark room.
In this concept, “the audiovisual is a social concrete mean of expression and media because of having characteristics and intrinsic qualities that determine the essence of a proper language. This differentiates it and makes it independent from the cinema and the T.V., turning it into an experience that goes to a different road, not being explored enough still, in the mean of communication with possibilities of development completely new in this field. Above all, in the audiovisual artistic conception where original synthesis and unexpected combinations can be produced that distinguishes the audiovisual as an art in particular. Therefore, the topic of the audiovisual as an art deals with a centre of main interest…” (Audiovisualogy. The audiovisual as an art and a mean of communication.Bs. As. 1979).
CHARACTER, INFLUENCES AND PHILOSOPHICAL INSPIRATION
From another more global aspect , their audiovisual are in turn developed intrinsically upon three juxtaposed planes: the documentary, concerning , among others, the testimonial genre, formal, regards the purely aesthetic aspect , and a third sense twinned at the core of second and radiated towards a psychological expression that replaces the purely intellectual Jorge Luis Farjat which sets its guidelines in his books Theory Studies, Migration and Survival, and audiovisual and arts. Two of his works constitute the pillars fed from the root all his creations : “After civilization ” belonging to ” Towars Democracy ” (London 1907 ) , and ” The drama of love and death, a study human evolution and transfiguration “(London 1912)..